Tron: Legacy (2010)

Overall verdict: 9/10

The Good: imaginative production design, clear concise directing, charismatic acting by most of the cast, unique soundtrack, filled with homages and references, more underlying complex themes than a typical disney movie, satisfactory emotional core, originally filmed in 3D

The Bad: mediocre acting from main protagonist, truncated first act might be difficult to follow,

Current Availability Status: Coming to video soon

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In 1982, "Tron" gave the world a vision of a world unlike any other. A world within a computer where programs exist as actual living beings who race along freeway style circuits. A world that defied human imagination and piqued the obsession of Kevin Flynn (Jeff Bridges), computer programmer extraordinaire. In an opening narration, Flynn, who is now the head of the ENCOM company, tells of his adventures in the original Tron movie and his motivations for using the computer world which he calls "the Grid" to benefit mankind.

With this little bit of exposition, barely sufficient to bring newcomers to the Tron franchise "up to speed", Kevin Flynn disappears one day, leaving his son, Sam, who grows into a rebellious young man. Sure he is the major shareholder of ENCOM, but he'd rather play cyber pranks on the greedy ENCOM CEO and outrun the Cops on his bike than sit in board meetings. He is a punk slacker in every way, and smart mouthed to boot, living each day with no discernible purpose until he is approached by his father's long time friend over a mysterious "page" from his father's old office in an arcade. Yes a "page", from a pager. OLD school tech. Sam discovers a supercomputer but an accident lands him mysteriously transported into the Grid which is ruled over by the tyrannical (and equally smart mouthed) "Clu" who bears a striking resemblance to Sam's father. NOW the movie begins in earnest with Sam fighting his way through gladiatorial combat, making a daring escape during a "lightcycle" death race and meeting new allies while searching for his father. Hidden secrets will be revealed and expect some surprising twists in this otherworldly digital domain of peril and adventure!

And what a world it is! Carrying on the legacy of its predecessor, Tron Legacy once again presents imaginative production design coupled with cutting edge computer imaging. It is worth watching purely for its visuals, 3D or otherwise. Newcomer director Joseph Kosinski peppers his action with wide angles and sweeping cinematography, a fresh feel indeed from the frequent close-ups and "shakey cam" used by his other more "experienced" compatriots. Breathing life into the Grid is the similarly surreal soundtrack by "Daft Punk". It is mixture of electronic and orchestral music that serves to highlight the "synthetic" aspect of the Grid world while paying homage to the electronic synthesizer tunes used in the original Tron movie. The masterfully composed score blends eerie with Epic in the action scenes while toning down into warmer traditional tunes in the more emotional scenes. Like the directing style, the electronic soundtrack is a welcome change from the typical percussion and bass heavy action movie music.

Without putting up spoilers, one has to admit that the story works on multiple levels for both newcomers and sci/fi fanatics alike. For example When Sam first enters the Grid, it is one big tribute to classic spaceman stories like Flash Gordon. (Stranger lands on a strange world ruled by a tyrant, he is captured, made to fight as a gladiator, breaks out and joins the resistance). It might be a tad hard to follow at first as many concepts might be lost on viewers without some smidgen of tech savvy-ness or those not quick enough to get the little narrative homages. A lot happens in little time but once things slow down near the middle, the story has room to breathe. Under all the light and flashy spectacle is a very down to earth father/son tale that anyone can relate to. Between the lines lies an almost biblical parable relating to mankind's rejection of God in his quest for his own perfect Godhood. Present too is a running theme about how well intentioned legacies left to the wrong people become corrupted by those it was left to. Rather complex for a Disney movie to incorporate such themes.

One little byte to pick with this film would be the acting. Jeff Bridges reprises his role as Kevin Flynn as well as the villain program Clu and does a wonderful job of just becoming his character. He exudes a charisma and charm that his son, Sam, seems to lack. It is very ironic that the digital characters like Olivia Wilde's Quorra and Michael Sheen's Castor seem so much more "alive" and real than Garret Headlund's snarky Sam.

Needless to say, Tron: Legacy is epic storytelling that challenges the boundaries of imagination. It is a fun and exciting ride with a satisfactory emotional center. The more learned viewers would be happy to dig into the underlying themes that can be easily related somewhat to ontology and even biblical theology, while the the rest of you can just sit back and enjoy the visual spectacle and human father/son drama. Unlike stuff like Inception or the Matrix, tron Legacy does not force feed you the complex stuff, thus making it very accessible to viewers of all ages.

With an animated series in the works (as of writing this review) here's hoping that the legacy of the Tron lives long for ages to come and goes from being just a Cult classic to a full fledged sci/fi epic franchise.

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Go For it: If you were a fan of the original "Tron" or would like to witness one of the best and most imaginative disney action movies to date
Avoid it: if you just don't like this genre of movies and would prefer some romance slop anyday.

Entertainment: A
Story: B+
Acting: A-
Characters: B+
Music: A
Replay value: A
"Brains": A-

Love Hina (2000) review

Overall verdict: 8/10

The Good: Emotionally deeper than other "harem" genre anime, bettern than usual TV animation, exceptional japanese voice cast, well timed humour, well developed characters, beautiful artwork and character designs

The Bad: Cliched premise, unoriginal plot, over reliance on budget saving animation short cuts, weak final act, some humour borders on the nonsensical.

Current Availability Status: some VCDs available in singapore. DVD not available

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Poor Keitaro Urashima, the dude just cannot catch a break. Having Failed the Tokyo university exam twice, Keitaro was kicked out of his home and forced to take up residence at an inn run by his grandmother. Little does he know that the inn has been converted into an all-girls dormitory and that his grandmother has left him as the dorm manager. As expected, the girls are not too happy with the arrangement, but they get a teeny bit more sympathetic once they discover the poor bugger's plight. Madcap wacky boy-meets-girls adventure with a sweet romantic twist follows in one of the better romance comedy anime series out there.

More an ensemble piece than other shows of this genre, its main selling point is definitely the characters. Each of them is given a unique and multi-layered personality making them both easy to relate to and incredibly lovable. Keitaro is THE guy that the intended target audience (single male who wastes his life either studying or watching anime like this) would die to be. He is a bumbling idiot, a complete loser, yet his tenacity and optimistic outlook would either inspire or disgust you; one would not be blamed for wanting to slap some sense into Keitaro. But give the guy a break, he has got a promise to fulfill a promise to a forgotten childhood sweetheart and get into Tokyo university.

Naru Narusegawa is the "main" female protagonist here. Her fierce demeanor toward Keitaro and hot headed attitude (not to mention, hot body) belies a secretly insecure neurotic looking for her place in the world. You see, the girl is studying to get into Tokyo university too. And the fact that she bears a startling resemblance to Keitaro's childhood sweetheart causes some inevitable sparks to fly. It is the "unlikely couple" scenario seen in so many romance shows: he likes her, she hates his guts, she cracks and shows her vulnerable side, he so happens to be there for her. etc. We all know where this goes. But no romance would be right without a proper love triangle and we get that in the form of Mutsumi Otohime, a simple but adorable ditz introduced later, who claims to be Keitaro's childhood friend.

Though the central tale is a little cliched sort of a coming of age thing for Keitaro and the surreal love story, each of the other girls are given ample development of their very own character arcs. Timid little Shinobu learns the value of trust and how to assert herself, carefree Kitsune gets a lesson in responsibility, the icy Motoko learns to open up her heart and even the wild and sprightly Kaolla Su learns to grow up. As said before, all very lovable, all easy to relate to.

Created at the turn of the 21st century, Love Hina was among the first shows to be colored by computer. The result is some beautiful artwork and cute, albeit slightly simplified, designs with a color scheme that uses the unlimited palette offered by software without looking overly bright and saturated. The animation itself is pretty standard anime stuff; it has its decent share of animation short cuts, lazy scene panning, some stiff character motions, but they only crop up occasionally per episode. On a whole, the quality is slightly better than the typical TV series with more attention given to maintaining a consistent high level of detail in the artwork.

In contrast, the voice acting is superb throughout. Veterans like Megumi Hayashibara, Yui Horie, Yuji Ueda, among others, totally sell their characters, playing them with the same diversity that fits their personality. A bit over the top at times, but it fits in with the very nature of the show. A Chinese dub and a USA English dub were released as well but neither can hold a candle to the original language. Though, in comparison, one might favor the English version over the Chinese version purely for the superior acting standard; at least the English version is not downright terrible or miscast like the Chinese one.

The more conservative types would be glad to know that fan-service is only teased and not blatantly tasteless like many recent anime. Comedy is well written, jokes are timely and in good taste with only a twinge if innuendo. Its shortcomings in its animation is forgivable but a hastily written and seemingly lower quality final few episodes earns it a couple of demerits. Definitely "cleaner" and emotionally deeper than other shows of similar genre, Love Hina is a fun filled gem of a series filled with truly emotional drama, romance and crazy comedy complete with giant robot turtles, mysterious island kingdoms and a little bit of magic.

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Go For it: for a cleaner, better written romance comedy anime that puts the focus on the characters' personalities and not just on the characters' bodies
Avoid it: if you are a staunch "the manga is always better" kind of person

Entertainment: A
Story: B
Characters: A-
Animation: B-
Art: A-
Voice work (japanese): A
Voice work (english): B-
Voice work (chinese): C
Replay Value: A-
"Brains": B-


Did i mention slapstick (or more like slap Keitaro) humour?


Did I mention the giant robot turtle?

Did i mention..........YIKES, wat the hell is this??

Childhood sweetheart, an undying promise

Mobile Suit Gundam: Char's Counterattack (1988) review

Overall verdict: 9/10

The Good: Resolves all hanging plot threads of previous gundam series, high quality animation, professional voice acting, philosophically deeper than most mecha anime

The Bad: requires knowledge of preceeding Gundam series to fully appreciate

Current Availability Status: No available in Singapore. DVD available from online sources.


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Mobile Suit Gundam. The legendary anime series of the 80s by famed director Yoshiyuki Tomino astounded millions of fans by offering giant robot combat action with a very realistic portrayal of war. Then, its darker sequel Mobile Suit Zeta Gundam delivered a tragic tale of love, loss and hidden conspiracies as the body count mounted to an all time high, earning Yoshiyiki Tomino the nickname "Kill them all Tomino". Now, the final chapter of an anime legend, the Universal Century Gundam saga, comes to its mind blowing conclusion.

Char's Counterattack is the culmination of years worth of Gundam storylines, in particular, the rivalry between Amuro Ray and Char Aznable that was established in the 1979 Gundam series but was never really followed through in the sequels. Seemingly having defied death once again, the famous Char Aznable has resurfaced to lead the Neo Zeon movement against the tyranical earth Federation. Slowly but surely, the movement is winning the hearts and minds of the space colonists, but Char has an even darker scheme planned. By crashing a colony on to earth, Char intends to force all human beings into space in hopes of ridding the earth dwellers' bigoted prejudice against space colonists. In order to quell this threat, the Earth Federation sends their "Londo Bell" task force led by Bright Noa and the ace pilot Amuro Ray. The battlelines are drawn once again as the world gears up for its greatest conflict ever.

As a stand alone Gundam movie, Char's counterattack does not do much for the newer audience. It expects that the viewer is already familiar with Gundam lore and the established rivalry between Amuro and Char as it immediately throws you into the thick of the story and the heat of the action. A couple of new characters like Quess Paraya and Hathaway Noa are introduced but they come across as uninteresting and seem like throw-away characters whose only purpose is to fill up screen time when we are not focusing on Char or Amuro. There is a very uncomfortable attempt at creating a shaky love triangle story but the execution of that plot thread was not as good as it could have been.

Poor attempt at romance aside, Char's counterattack features a number of other themes that the viewers can easily relate to. There is a coming-of-age theme in how Hathaway Noa desires to step out of his father's shadow and forge his own identity, and there is a good deal of wartime pholisophical rhetoric thrown about by Char. That being said, only once Amuro and Char take center stage does the movie finally find its footing and delivers an engagingly entertaining experience. They are the perfect opposites, each representing widely differing views on war and the idealistic pursuit of peace. How far is one willing to go to end a war? Does an objectively good end justify unethical means? Can the obsessive pursuit of ideals turn men into monsters? Questions like these pop up during the course of the narrative which challenges the viewer to think and question.

Some fans have complained about the lack of character development of many of the cast, but it seems further development of the characters was not the director's intention. It is not a movie to develop the characters further, but a movie to bring about a RESOLUTION to the characters that have been developed over the course of the previous Gundam series. Char's Counterattack should not be viewed as a stand alone movie. As such, it is highly recommended to re-watch at least the original Gundam 0079 TV series or compilation movies before watching this movie. Re-watching "Zeta Gundam" would also add to a better understanding of Char's character and his bitter inner struggle with his own ideals over the years.

Jam packed with epic action sequences thanks to a higher budget and more experienced staff, Mobile Suit Gundam: Char's Counterattack is the exciting concluding chapter in the grand sweeping tale of Amuro Ray and Char Aznable. Here is a high point in the history of Gundam that subsequent shows had never surpassed.

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Go For it: to witness one of the must watch anime movie classics that inspired a generation of other creators to follow i its footsteps. Or if you are a Gundam fan and would like to see the best Gundam had to offer.
Avoid it: If you really have no pre-knowledge about the original gundam series and would not even bother reading up wikipedia

Entertainment: A
Story: B
Characters: B-
Animation: A-
Art: A-
Voice work (japanese): A
Voice work (english): A-
Replay Value: B+
"Brains": A-


Clash of the titans: Amuro's Nu Gundam and Char's Sazabi go head to head


Amuro and Bright Noa prepare for battle


Char Aznable. Hero of the people or anti-earth terrorist?


Awesome animation reflects the chaos of actual warfare

Noteworthy video releases

Avatar - 3 disc extended edition DVD and Extended collectors edition Blu-ray

Resident Evil Afterlife - DVD

Twilight saga: Eclipse - DVD

Inception - DVD and Blu-ray

Salt - DVD and Extended Edition DVD

Knight and Day - Extended edition DVD

Texas Chainsaw Massacre (2003) remake review

Overall verdict: 5.5/10

The Good: better than usual acting for a horror movie, intense chase sequences, lots of blood and gore, atmospheric cinematography

The Bad: too much blood and gore, bland story, few genuinely scary scenes for a horror movie

Current Availability Status: banned in Singapore

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Ah! the vast Texas countryside. Rolling plains, long stretches of road, quaint little towns. It is 1973 and what could be more fun than going on a road trip with a bunch of friends to catch the biggest Lynard Skynard concert of the decade? Nothing could go wrong. Well for Erin, Kamper, Morgan, Andy and Pepper, every "wrong" starts to happen when they come across a blood drenched and obviously traumatised young girl. Being good hearted teens, they try to seek help first from the local sherrif. However, the unreasonable sherrif suspects the teens of foul play forcing them to turn to some residents of an old house for help. But those Texas residents have a gruesome little secret hidden in their cellar, and it carries a Chainsaw. Naturally, "massacre" will follow.

Produced by Michael Bay, this remake revolves around a retelling of "actual" events involving a group of teenagers and their tragic run-in with the deranged Texan family of killers and the murderous Leatherface. In true slasher movie fashion, the characters are just there to look pretty until they get offed one by one in the most gruesome ways. The acting is actually praise-worthy, better than the usual horror film, but it suffered from an uninspired script and flat story.

As a stand alone horror movie, this Texas Chainsaw Massacre remake is actually more horrific than horror. Where the original show banked on the tension and scared by teasing one's inherant primal fears, the remake does not scare by actually scaring but by making the audience cringe in terror thanks to gratuitous amounts of gore and prolonged scenes of suffering before the eventual death Many times, the film leaves the genre of horror and falls into more a "torture porn"-like genre.

If there was anything scary about the film, it was not the Leather-face killer. Rather, it was the overall sense of helplessness felt by the main characters. As the movie goes along, the characters try to turn to other townsfolk for help. But they soon realize that the townsfolk, and even the sheriff, are not only unwilling to help, but have a much darker agenda planned.

Flipping through Marcus Nispel's short resume of films(he directed the Friday the 13th remake and Pathfinder) and Platinum dune's list of horror remakes would pretty much tell you what to expect; a tendency to focus mostly on gory killings. Nispel himself seems more capable of directing a frenzied chase scene or a bloody body carving as opposed to anything remotely scary. At least the film looks great with a stylishly worn yellowish tinge to every scene that complements the "1970s" setting.

Despite its shortcomings, the film was rather popular at the box office. Perhaps action is indeed more successful at netting a wider audience than actual horror. And like many action movies, Texas Chainsaw Massacre exists solely for that unauthodox sense of escapism. Showing it to your more chicken-hearted friends and watching them gross out is also a good way to use this movie. It is a cringe worthy thrill ride of a splatter-fest with better than usual acting. Not the best of horror movie remakes, but not the worst either.

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Go For it: if you desire a more faster moving, more savage version of the 1978 classic
Avoid it: if you were happy with the tension and fear of the original classic

Entertainment: A-
Story: B-
Acting: B
Characters: C+
Replay value: B+
"Brains": D

King of Fighters (2010)

Overall verdict: 1.5/10

The Good: guaranteed to make you laugh at how terrible it is

The Bad: It is really that terrible


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Two words describe this movie. The last word is "up" and the first word starts with an "F". And no, it is not "Fighter". The two words make up an insult much like how Hong Kong Director Gordan Chan's "The King of Fighters" is an insult not just to the fans of the King of Fighters (affectionately abbreviated to "KOF") video game series, or video games in general, but it even manages to be an insult to bad video game movies.

Cue the sensless plot that completely rips-off "The Matrix" while sounding more confusing than the entire trilogy combined. The premise of this movie involves a secret tournament that is held in some alternate dimension in which fighters from around the world "log in" to via special earpieces. Think jacking into a big matrix-like video game world, complete with "I-know-kung-fu" wire fighting and bad computer composited special powers. Its all fun and games until Rugal (Ray Park doing his best Darth Maul meets The Joker impression) steals some sacred artifacts with a plot to free something called "The Orochi". Why free the orochi? Because Rugal wants to hack the alternate dimensional video game, give himself god-like powers and ultimately be the champion of the game. (Seriously) Out to stop him are undercover agents Mai, who is working for Terry Bogard in the CIA, and Iori Yagami, a man with a past connection to Rugal. Together they must seek out a third artifact called the "Kusanagi sword" which has been passed to Kyo Kusanagi, a white boy with Japanese name.

Alternate gaming dimensions, ancient snake ball demons and mythical artefacts. Oh My. To quote Maggie Q's character of Mai by saying "Its not Logical", would be a major understatement. An illogical, confusing and plodding plot is the least of this movie's problems. In trying to mix mysticism with hardcore science fiction would have worked in the hands of a skilled creative team. Here it turned out like oil and water, making the entire movie very difficult to follow and bordering on absurd.

The most basic criteria for a just "passable" video game movie is that either the story has small resemblance to the game (Silent Hill, Max Payne, Hit-man) or the character has some similar appearance to their game counterparts (Mortal Kombat, Tekken). King of Failures has NONE of these mere basic elements! The least Gordan Chan, the director, could do was to give some good ol fashioned hong kong kung fu but even that is missing making King of Failures an absolute chore to sit through.

The pacing is thrown off by having too much talk and not enough fight. The needless exposition and banal dialogue is not even interesting nor does it develop that silly excuse for a plot. Kyo's so called "hero's journey" has been done in umpteen other shows and every character's lack of charisma is made even more painful by stilted acting and laughable dialogue.

When some action does come once in a while, it is an utter let down and a complete joke especially when one knows what kind of stunts Hong Kong is capable of. The fight choreography is generally uninspired, almost dull; Many B movies have had better fights than this. Ray Park and Will Yun Lee were the only two actors who had some convincing fighting moves thanks to their martial arts training background. But the biggest sin here is Gordan Chan's wonky camera-work which uses way too many slanted angles, headache inducing tilted shots and an irritating purple lighting in the alternate dimension scenes that seems reminiscent of "Battlefield Earth".
For all the times people have lambasted hollywood for video gam movie flops like "Legend of Chun Li" and "Super Mario", Hong Kong has now topped all that. Some might argue that this is worse than the stuff from the infamous video game movie director Uwe Boll (House of the Dead, FarCry). But on a lighter note, this movie would make great subject matter to be laughed at on a boring movie night. It might even scare off video game companies who are thinking of selling the rights to make a movie.
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Go For it: To see how horrible a video game movie adaptation can get
Avoid it: if you refuse to believe that this is a hong kong movie. Or better yet, just avoid. Nuff said.

Entertainment: C-
Story: D
Acting: C-
Characters: D+
Replay value: D
"Brains": F

Superman/Batman: Apocalypse [2010]

Overall verdict: 7/10

The Good: detailled Artwork, smooth animation, top notch voice acting, sticks relatively true to the original comic

The Bad: minor deviations from the comic, lacking much emotional aspect, truncated narrative, , relatively inaccessible to viewers unfamiliar with DC comics lore and characters.

Current Availability Status: on 2 disc special edition DVDs in singapore stores now.

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The Superman/Batman comic stories' main attraction has always been the character interplay. How the two famous superheroes, different in every aspect like oil and water, lend their perspective on similar situations and in the end, pull together for the greater good. In that respect, "Superman/Batman: Apocalypse" does not disappoint as Superman, Batman and even Wonder Woman bring their unique personalities to the table when they face their latest little "problem".

The "problem" in question is the unexpected arrival of Kara Zor-El (Summer Glau), Superman's cousin who crash lands to earth, disoriented, unclothed but unhurt and lost in Gotham. In perhaps an intentional homage to Glau's previous Terminator character in "Terminator: The Sarah Connor Chronicles", She "procures" a coat from a trio of overly eager warehouse workers, but not before almost accidentally killing them. The unintentional destruction she causes while trying to flee from the cops alerts both Batman and Superman who take her into their custody. While Superman is overjoyed at finally meeting a fellow survivor of his home planet, Batman is skeptical and naturally suspicious (she did trash Gotham without even trying). More trouble follows when Superman tries to get Kara assimilated into earth culture but Wonder Woman has other plans for her as she too fears Kara's lack of control over her powers. But on the burning planet of Apokolips, the dreaded DarkSeid has his sights on the young kryptonian girl to be the latest addition to his warriors. What follows is a perilous incursion into Darkseid's palace with one deadly confrontation after another with the forces of Apokolips.

Superman/Batman: Apocalypse adapts the "Supergirl" story arc of the Superman/Batman comic series by Jeph Loeb and the late Michael Turner. It is a rather faithful adaptation, barring a few very minor changes here and there, and as such shares both the good points and the shortcomings of its source material. For one thing, the story proceeds at a very fast pace, which is good as it keeps things from getting boring. However that means the time frame of the tale is difficult to follow. For example Kara was supposed to have been training with the Amazons for a few months but it seemed like only yesterday. We only know about the time skip thanks to some mandatory exposition.

Rather than its truncated story, it is the snappy character interplay, well written dialog and a top notch cast of actors that carry this show. Tim Daley, Kevin Conroy and Susan Eisenberg return comfortably to their DCAU roles of Superman, Batman and Wonder Woman. Everyone else is perfectly cast, especially Summer Glau, lending much emotional weight and realism to the characters. The only role that did not seem to fit as well was Andre Braugher's unmistakably African American sounding DarkSied. The tone of voice was right but a more neutral accent would have fit better.

Judging from the way the characters are handled, the target audience is most definitely long time fans who are already familiar with the personalities of Superman, Batman and Wonder Woman. That is because the "DC trinity" get little character development here, allowing Supergirl to take most of the development spotlight. That is not to say that the main trio do not get their chance to shine. Their differing views on life clash often which sheds some light on their individual inner natures. There is even a dramatic introspection by one of the villians regarding Batman's questionable methods in contrast to that of superman and, ironically, more similar to that of the villian himself.

Viewers who have watched the previous "Superman/Batman: Public enemies" can treat this as a sequel despite the differing art styles. As the previous movie replicated Ed McGuinness's stylishly muscular artwork, this one manages to translate Michael Turner's bold character designs barring a slight drop in art detail. The animation by "MOI Animation" is very fluid considering the "higher-than-usual" level of art detail, with no visible short cuts and a high frame rate throughout. As a result, the intense action and superhero battles are vivid and violent. Those who love some good hero on villian brawling would love what is in store for them here.

For DC animation fans, readers who loved the Superman/Batman comics and superhero action junkies, "Superman/Batman: Apocalypse" would no doubt be a hit. More time could have gone into letting the story "breath" a little or making it a smart anecdote about growing up, stepping out from under a overprotective sibling/parent's shadow and finding one's place in the world. Then again, since those themes were never present in the original comic, here is a case where straying from the original source might have turned out a better product. But no point lamenting what it could have been. Rather, enjoy it for what it is.

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Go For it: if you are a fan of the "DC Trinity" in action, have read the original Superman/Batman comics or used to be a fan of the popular Bruce Timm DC Animated universe shows (Justice League unlimited)
Avoid it: if the name "Darkseid"(pronounced "dark Side" by the way) brings thoughts of Star Wars instead of DC comics. In other words, if you are unfamiliar with the characters, it is recommended you get acquainted first via other DC animated productions or the comics themselves.


Entertainment: B+
Story: C
Characters: A
Animation: A-
Art: A-
Voice work: A-
Replay Value: B
"Brains": C