Friday, August 15, 2014

Movie Tweaks: The Spirit

Movie Tweaks is where we tweak a tiny element of a movie in a way that may make it better,

So lets start things off from the bottom of the barrel with Frank Miller's critically panned 2008 film "The Spirit"

1) THE SPIRIT [2008]
What it is: A satirical dark remake of a classic comic that has almost nothing in common with the original.

What it can be with a simple script addition: Will Eisner's "The Dark Knight Returns".
The Octopus is revealled to be Ebony White and the movie's story is revealled to be 30 years after the end of the original comic.
 Instead of re-telling an altered version of the Spirit's origin in which the Octopus was responsible for Danny Colt's resurrection, the death we see is not of Danny Colt but of The Spirit.

The 50s. The world was good, and everything was grand. Life was great. The Spirit, champion of Central City assists the police to uphold the law. Ebony White, a young african american kid is is biggest fan.He dreams of one day becoming a sidekick to the Spirit and join in his life of crimefighting. He worshiped The Spirit and obsessed over him.

All Ebony White ever wanted was to be just like his hero. Ebony himself, being an african american in a predominantly white city, had to bear with poverty, hardship and racism. The Spirit is Loved by all, fighting crime, getting the girls, everything Ebony ever wanted. Faithfully he served as the Spirit's driver until one day, Ebony decided to tell the Spirit about his dream. Ebony would be his crime fighting sidekick. But the Spirit declined.
"You don't have these enhanced abilities like me, Ebony", he said, "plus you're......you. No one would ever take you seriously".  It was true. Where the Spirit was reanimated by mysterious chemicals which gave him superhuman endurance, Ebony was mere mortal. In a time where coloured folk were looked down upon, no one would ever take a black superhero seriously.

On one fateful day, the two best friends had their final falling out, and then went their seperate ways. Ebony became obsessed with being a better superhero than The Spirit. He left Central city and devoted his life to science, reasearching a way to imbue himself with superhuman powers and eternal life.  The streetsmart young punk funded his obsession through an illegal drug trade, gaining infamy in the criminal underworld. Adopting the name of the Spirit's one time nemesis "The Octopus", Ebony White shed all vestiges of his former life and embraced evil as the perfect counterbalance to the Siprit's good, as the perfect yang to the Spirit's Ying.

Then one day, The Spirit died a mysterious death. No one knew why or how. Perhaps the chemicals in Danny Colt's body finally deteriorated. Perhaps Central City no longer needed him. Perhaps it was just his time to go. The Spirit died and Ebony White never got his revenge. In a fit of obsession fueled madness, Ebony White was determined to get his vegence. To that end, he used his experimental formula to resurrect The Spirit, thus leading to the events of the film. 









Thursday, July 10, 2014

Local Productions as internationally appealing Blockbuster Remakes

1. Virtual Reality - remake of VR Man
In a sentence: the nature of reality and all existence itself is called into question when one young man awakens with the power to change the world.

Synopsis: All is not right with the world. Vernon, An amnesiac young man, simply exists. He exists in modern day bSingapore. He exists to discover that he has powers to alter peoples' perception of reality. He meets other like powered individuals; a young mother who can control the source of all emotions, an idealistic boy able to mainpulate physical matter, and a mysterious individual named Mr Lie who claims to hold the answer to the truth about this world. With great powers, some would desire to change the world, while one would protect the world as it is. But when perception manifests as actual occurrences, Vernon has to question the very nature of existence and uncover a tragic mystery that threatens all reality. If your mind and senses tell you it's real, is it truly real? What is real? What is reality?

Tone: Dark City and Matrix meets The dark knight returns



2. 999 - remake of Triple 9
In a sentence: A veteran detective and a corrupt cop play a dangerous cat and mouse game leading up to one of the biggest anti-gang bust in the history of the country.
Synopsis: Shah Khairul was a best trainee in police academy, quickly working his way into the CID and rising through the ranks. He is a loving husband, an efficient policeman and a role model admired by his colleagues. Unknown to all, he is also a mole for the notorious "gamma" gang, planted within the CID in a never ending intel war between criminal and cop. Shah is partnered with Inspector Alan Leong, an "old timer" intending to pass on his skills before he retires. A psychological cat and mouse game ensues at at first, but a series of events at home and Alan's undying friendship slowly shakes Shah's loyalty and belief in his gang. When a rival gang moves in on gamma home turf, and the Home Team prepares for the largest anti gang operation in the history of Singapore, Shah is faced with a fateful choice. A choice that may damn life and his family.

Tone: Infernal Affairs and Gangs of New York set in Modern Singapore in the style of Kurt Wimmer


3. Extra Ordinary - loose remake of Extraordinary People
In a sentence: An honest normal girl triumphs over insurmountable odds in a superpowered society which values monetary power, beauty and purchased status.
Synopsis: For a million dollars a month, your child will be granted one Superpower of his or her choice as long as they remain in Singapore. Flight, super speed, hyper intellect, enhanced strength, we have it all. This is the promise of POWERS.SG. Thanks to a salvaged alien transmitter, children can be granted superpowers within a 40km radius. This turns Singapore into the world's leading country in all industries, cutting edge tech, work efficiency and knowledge. Competition for schools, results, jobs etc is steeper than ever. Into this  highly competitive world stands Sarah, an ordinary girl in every sense. Not rich enough to afford the monthly subscription for a superpower, Sarah is continually just scraping by in a school full of geniuses, failing physical fitness standards set by men who can run like lightning, and constantly ridiculed for her lack of status defining power. But through a quirky new friend, Sarah would learn that one does not have to be Super in order to be special. Watch as one ordinary girl overcomes extra ordinary odds to show that In a world where your ability to afford artificial enhancements define you, there is still room for a pure heart and hard work to pay off.

Tone: Gattaca with superpowers  and the social satire of Robocop


4. I'm Not Stupid - remake of I not stupid
In a sentence: a misunderstood autistic young boy forms a lasting bond with 2 social outcast friends and brave the trials of school work, competitive parents, unreasonable teachers and bullies.
Synopsis: it is a big confusing world for young Gordon Liu. A failure at everrything but math, Gordon is continually ridiculed for his isolationist behaviour, weird quirks and quiet nature. He hates it when people are late, he follows a strict time guided routine, and he never memorises his facts. His teachers find him lazy, his classmates have stopped bothering with him, his parents think he is stupid, and his only friends in school are 2 fellow social outcasts, the pampered Terry deCruz and fight-hungry tough boy Bobbie "The Hawk" Tan. Yet with an IQ beyond average, Gordon is no retard. Here is a boy with autism, a condition barely understood by those around him. Some would attempt to make use of his genius intellect, while other merely content on ridiculing him. Together, theyface demanding parents, the rigours of student politics, and a notorious school bully intent on making their lives a living hell.

Tone: man of Steel's flipped premise by way of Rain Man with elements of Extremely Loud and Incredibly Close

5. Army Daze: First Cohort - prequel/remake of Army Daze
In a sentence: Young men of different upbringings, race and religion must unite In a time of social divide to stand against an even greater threat,

Synopsis: this is not your Grandfather's army! Well actually, it is. In 1969, a platoons worth of brave young men signed up as Singapores first batch of combat national servicemen. Forget the quirky staff sergeants, the culture shock, or the Ntuc food fare sponsored lunches of modern times. Back then, these brave men cooked their own disgusting excuse for food, bathed in crap, and were tormented by the fiercest Israeli trainer in existence. Beaten, burned, broken in mind and body, only the strongest would survive. This was a true journey from boys to men. In a nation fresh out of turmoil, this platoon of pioneers would be all that stands between peace and a daring terror attack that history conveniently forgot.

Tone: Band of Brothers in Stanley Kubrick's Full Metal Jacket, 1960s Singapore version


6. Peace - loose remake/prequel of Price of peace
In a sentence: the price of peace is a heavy one presented as an interconnected tale of love, loyalty and unsung heroes set against the fall of Singapore to the Japanese.

Synopsis: From the north they came. Invaders. Conquerors. The gods of War. A bloody tide of vengeance swept forth from japan, consuming south east asia in what history has come to know as the Japanese Occupation. All that remains is the Lion City itself, the prized port of East Asia: Singapore. Abandoned by their british colonial masters, this tiny island was left to fend against the invaders for seven days. Seven days of death as bombs rained on the island. Seven days of terror as troops swept through villages, pillaging and kidnapping at will. Yet unsung heroes would emerge: a servant who puts aside racial prejudice to hide his late master's son, a priest providing sanctuary to the innocent despite the threat of execution, a boy's daring plan to save his family, and a brave platoon of local volunteer troops in their last glorious stand against certain death. 

Tone: tragic invasion movie in the tone of Skyline or Independence Day's first act with elements of 300.


7. Growing Up - Growing up
In a sentence: a man's faith, love and simple unassuming nature would be tested across the ages as he braves war, famine, betrayal, loss and an ever changing society.

Synopsis: Charlie Tay had big dreams. A mansion on a hill, the most beautiful wife in the world, fame, riches and many children. Life, however, had different plans for Charlie. A time of great upheaval looms on the horizon. He is One man with many stories. For a moment, he is 10; frolicking in the swamps near punggol. For a moment, he is 15; bombs go off as he runs home in terror, the Japanese flag flying from fort canning hill. In a time of uncertainty and violence, Charlie finds his first love in a young woman named Soo Mei, faces up to the local extortion gangs and tries to bring his life under control.  From the transistor radio to the HD tv, from the pager to the smart phone, Charlie has seen it all. Faced with the choices in life, Charlie would have to make tough decisions between his dream and his family. For in life, not everyone can shape their choices to reach their dream. And sometimes, the perfect life need not be the perfect dream.

Tone: About time without the time travel with The Wind Rises.


8. Orang Minyak
In a sentence: an unstoppable killer hunts down horny young campers.
Synopsis: the oily man. Folk tales speak of a pervert who sold his soul to the devil. In return for ultimate power, he would have to rape 7 young virgins. Moral of the story: be a good girl and stay home at night. But hey, in comes a bunch of 12 horny 18 year olds to a secluded chalet at the outskirts of Johor Bahru. They have one mission: get high, get laid, and get little Stephanie Chua inducted into the degenerate culture of drugs, booze and sex. Screw the folklore, screw the warnings, let's just screw. But a week of sinful getaway turns to terror when a stranger covered head to toe in slick crude oil stalks the teens. This killer rapist could be one of them, or it could be the legendary orang Minyak. Is the monster merely a sick twisted man? Or is there more to the myths of this creature's demonic origin? And what twisted fate does it have in store for virginal little Stephanie?

Tone: Jason Voorhees meets Alien and Swamp Thing

9. Break Free - Remake of "One More Chance"
In a sentence: One man's journey to redemption is plagued by doubt, fear and enemies on all sides, yet one idealistic prison officer may be all that is needed to rekindle his faith in a new life.

Synopsis: In the deadly aftermath of Singapore's largest anti gang operation, Chan Yao Ming is imprisoned when he was seized doing drugs in a local nightclub. He had heard stories of changi prison; stories of heartless officers who would beat you into painful submission, stories of violent inter-gang tension, of getting anal raped, chained to walls, stripped, humiliated and worse. Yao Ming is housed in block Bravo 5, together with other druggie inmates pending treatment. There, he becomes embroiled in the inmate sub culture, the good the bad and the utterly disgusting. In the prison, he meets officer Rachael Han, a young senior officer barely 2 years in service and trying to earn the respect of her male subordinates. Rachael's idealistic outlook towards changing inmates stands in contrast to Chief Warder Ishmael, an "old timer" who sees inmates as mistakes to be forced into correction through any means necessary. Initially dismissive of Officer Han and constantly attempting to manipulate her, Yao Ming is slowly won over by her encouraging and forgiving attitude. Yet unknown to our main players, a devious scheme is being plotted by some of the imprisoned gang members. A scheme that may forever impact the lives of both inmate and officer.

Wednesday, July 2, 2014

5 other Light Novels that deserve a hollywood adaptation - And how Hollywood would change them.

Edge Of Tomorrow has earned critics' praise. Little do most people know that it was adapted from a japanese light novel called "All you need is Kill".

Now, here are 5 more light novels i would like to see in live action blockbuster form.

I also reflected on expected changes that we might see if these get adapted into movies.


1) Full Metal Panic

Tone: A-Team and Terminator without cyborgs, in a high school setting, with mechs.

Plot synopsis: Eighteen year old Katherine "Kathy" Connelly is the smart, sporty, and good looking, head of the student council at Dyson College. Her hot headed nature and tomboy demeanour makes her less of the hot prom date than "one of the guys". All is well, all is good, until a foreign transfer student arrives: Souske Sagara. This isreali with a japanese name turns out to be highly trained professional commando on a mission to protect Kathy whom his employers believe to be the last of "The Whispered"; humans with hidden knowledge of a long lost alien technology. He proves only too effective in dispatching anyone who gets too close, including the occasional panty thief, and ruining Kathy's social life. Amid the high school hijinks, a sinister force from Souske's past is plotting to kidnap Kathy. And he might just get the chance with an upcoming field trip.




2) Vampire Hunter D

Tone: Dirty Harry meets Aliens Vs Predator Requiem in the style of gothic horror

The people of the village of Tepes once cowered in fear beneath the shadow of an ancient manor rumoured to be the home of a powerful Vampire.  It became a place whispered of in ghost stories to caution young people to stay away. One day four of the village children vanished. Only three returned, with no memory of what happened or where they went.
That was ten years ago. Now, in the year 12,090 A.D., vampires who can walk in the daylight have appeared. Did the disappearance of the children have something to do with the undead's newfound powers? Into this mystery comes the even more mysterious "D"; a tall pale vampire hunter with a sullen air about him. He is instantly handsome and beautiful at the same time, and his prowess with his longsword is matched only by his inhuman strength. What secrets do the children hold in their memories? What secrets does D hold himself? The answer may lie in house on a haunted hill.

3) The Third

Tone: Elysium in the setting of Resident Evil Extinction.

The world is a ravaged desert land. With the help of an artificially intelligent tank called Bogie, Hannah attempts to make a living as a jack of all trades for hire in a future devastated by war and full of over-sized insects that plauge the sands between towns. One day in her travels she comes across a strange man alone in the desert, but rescuing him has consequences and brings unwanted trouble her way. Through this man, Hannah discovers another society observing the devastated earth from a pristine space colony. The mystery deepens.

4) Trinity Blood
Tone: Priest and Van Helsing
The background is in the distant future after the destruction brought about by Armageddon. The war between the vampires and the humans continue to persist. In order to protect the humans from the vampires, Vatican has to rely on other allies to counter the situation. The protagonist, a priest called Peter Abel Nightroad, travels through the countries as a representative for the Vaticans. However, he is also part of "Ax", a special operations group controlled by the Cardinal Catherina. His encounter with a young girl called Esther will determine the struggle and survival between the human race and the vampires.



5) Baccano!
Tone: Highlander with Sin City set in 1920s prohibition era

In the year 1711, a group of alchemists are granted an elixir of immortality, with the stipulation that they must kill each other until there can be only one. The now-immortal group unanimously decides it wasn't worth it and destroy the elixir; but one of them, Slizard Quates, starts to kill off his fellow immortals. To reduce the risk of Quates tracking them all down, the group separates and goes their separate ways. Neither of them crosses paths again till 1930, Manhattan, when Quates manages to create a new elixir of immortality. However, he loses it and it ends up going around town, taken to be a bottle of alcohol and unknowingly drunk by many residents. The drinkers of this new elixir include Isaac and Miria, an eccentric pair of thieves; the Gandor brothers, a Mafia family; and their associates in the Camorra, the Martillos (who employ some of the original immortals). Now, not only are a new group of immortals created, but the simmering criminal underworld is about to explode.

Saturday, June 7, 2014

Godzilla: The Series (1999) animated series review



Overall verdict: 8.5/10

The Good: sleek and smooth animation, detailed monster designs, fun and frantic monster fights, well written dialogue, decent character development, does not shy away from darker stories.

The Bad: flat looking backgrounds, formulaic episodes, character designs take some getting used to, no definitive conclusion to the series.

3D Readiness: none
IMax-ability: none

******************Review********************
Picking off moments from the end of the 1998 GODZILLA movie, Dr Nick Tatopolus discovers and befriends the last remaining baby Zilla. It imprints on Nick as his parent but is chased away when the military comes calling. Baby Zilla soon grows to full size and although he displays an undying loyalty to Nick, Nick can no longer hide it. While the army is hell bent on exterminating this beast, new monstrous behemoths start to emerge across the world, some the result of mutation, some ancient, others extraterrestrial. Teaming up with former co-scientists Elsie and Craven, along with mysterious French secret agent Monique, Nick forms the H.E.A.T team aiming to track down these giant creatures for scientific purposes before the military blows them apart. But not all these monsters are friendly, and that's where the now adult Godzilla comes in to take them down. 


Clearly inspired by the Showa era of heroic Godzilla movies, as well as the Hannah Barbara GODZILLA power hour cartoon, Godzilla the series ranks among the better animated shows based on movies. It is arguably better than the movie itself, returning a generic giant monster premise to its Japanese roots. Where most animated adaptations/continuations dumb down the story (see Robocop, Rambo, Star Wars Droids), this shows ups the ante in action, scale and enjoyment. 

The plots could be a tad formulaic: new threat shows itself, H.E.A.T team investigates, gets into trouble, Godzilla helps, monster attacks, fights Godzilla who may or may not be evenly matched, Godzilla ultimately wins thanks to its own cunning or human assistance. Thankfully, the execution is top notch. For a start, the characters are well written with snappy dialogue and good chemistry among the voice actors. There are hints of character development across the series. They start off one dimensional but as episodes go along, they change slowly, subtly adding depth to their personalities. For example, Nick outgrows his geeky personality into a confident action leader type by the second season.

On the production side, Godzilla the series looks quite good for a 1999 animated show. Animated by Korean studio DR Movie, this show displays a good balance of art detail and animation fluidity. Shadows are consistent, clothing show folds; only the backgrounds come across a little half baked. The backgrounds are flatly colored with the odd scene looking a tad unfinished. Though the character designs may also take some getting used to, coming across like Rugrats mixed with bad early 90s Japanese anime, the monster designs are marvelous. You can tell that most time and effort went into the monsters themselves. They are drawn with an insane level of expertise and animated very smoothly.

Fans agree that this series is what many wished the 1998 Godzilla remake delivered. It is not shy to delve into darker territory, such as the acclaimed "monster wars" 3 part saga, and manages to balance a coherent plot with some timely humor. (Poor N.I.G.E.L). Initially only selected episodes were released on DVD. But now, A complete series DVD set has been released to coincide with the 2014 GODZILLA movie from legendary studios. The late 90s and early 2000s was a new renaissance for American animation, with GODZILLA THE SERIES right there among the best.

************Review End************

Entertainment: A
Story: B-
Characters: B+
Animation: A-
Art: B+Music: B-
Voice work (English): A
Replay Value: A-
"Brains": C-

Godzilla (1998) remake review


Overall verdict: 6.5/10

The Good: Well written comedy, top notch special effects, memorable characters, good acting from veteran comedians, intense action sequences.

The Bad: Does not work as a Godzilla remake, bland main protagonists, cliched plot

3D Readiness: not filmed in 3D.
IMax-ability: dark cinematography and tight shots negate imax experience

******************************Review*****************************

Before the critically acclaimed GODZILLA 2014, Hollywood had attempted an Americanized remake of the classic Japanese monster back in 1998. They turned to Roland Emmerich, the man responsible for turning old B movie genres (alien invasion, otherworldly adventures and genetically enhanced soldiers) into big blockbuster hits. Hoping that he would do the same for the giant monster movie. To that end, Hollywood gave him Godzilla, the much beloved Japanese giant monster, to remake to his vision.

Americanized, neutered and changed beyond recognition, GODZILLA came out as a decent monster movie, but a disappointing Godzilla movie. That issue lies in the portrayal of the titular Titan. Gone is the thought provoking nuclear disaster allegory, replaced by a feeble "man is the real monster" Aesop. Nuclear tests in the 1960s gave rise to a giant mutant bisexual lizard. This creature makes a beeline for Manhattan where his arrival is met with mass hysteria and chaos. Named "Godzilla" by the media (thanks to a misinterpreted comment from a dying Japanese sailor), America sends wave after wave of military hardware against the beast, causing more destruction than ever but failing to bring it down. Into this chaos comes dr Nick Tatopolus, an expert on radiation mutations. As the military tracks the monster through new york's concrete jungle, nick discovers that the creature may not be the only one of its kind for much longer. The hunt is on with French secret agents, a budding romance with a wannabe reporter and a parody of some well known movie critics all thrown in. 

The first thing that stood out for me in this movie was how enjoyable the scenes with the human characters were. Like INDEPENDENCE DAY, Roland Emmerich peppers this movie with a healthy dose of humor. This makes the one dimensional characters less of a pain to sit through. Hank Azaria, Kevin Dunn, Henry Shearer, all renown comedians, shine in their respective roles, delivering appropriate drama and laughs. Even Jean Reno does well as the offensively stereotyped French agent Philippe. Their scenes are fun, making an overall cliché ridden story more enjoyable than it is. Only the lead characters turn out a tad flat. Dr Nick, played by baby faced Matthew Broderick, brings his best "wide eyed" expressions to play as a man child caught up in the wonder of this giant beast yet running for his very life so he does not become dinner. Wide eyed shock, wide eyed awe, wide eyed terror, that seems to be his only expression. And the redundancy of Maria Pitillo's character Audrey cannot be understated.

Of course, the true star of any Godzilla movie is Godzilla himself. This leaner, faster, velociraptor inspired look by designer Patrick Tatopolus is a terrific looking beast brought to life by cutting edge special effects. For a 1998 production, the effects still hold up well till today. The creature is elegant yet menacing, grand yet grim, with twin rows of fierce spikes on it's back, unbelievable agility and that trademark big chin that is common in Patrick Tatopolus' designs (eg: underworld's Lycans, pitch black's creatures, outlander's moorwen). However, it just isn't Godzilla, the unstoppable force of nature. It shows none of Godzilla's powers, nor his intelligence, nor his durability. Where the original Godzilla would be unfazed by missiles, smash tanks and planes out of his way, and carry on, this remade Godzilla squeals, runs and hides! 

Perhaps it would not have gotten that much hate had it been billed as a remake of THE BEAST FROM 20,000 FATHOMS, rather than a Godzilla movie. The basic plot of a lost giant creature drawn to New York and ultimately taken down by sheer luck and superior military firepower already mimics the broad strokes of that stop motion classic. Godzilla can easily pass off as a redesigned Rhedrosaur. But alas, here it is billed as a Godzilla movie. 

As a Godzilla movie, Roland Emmerich's multi million dollar blockbuster would rank in the lower thirds. Better than the likes of GODZILLA VS MEGALON, GODZILLA's REVENGE, GODZILLA FINAL WAR and GIGANTIS THE FIRE MONSTER. But compared to the rest of the Heisei era Godzilla movies, the early millennium era, and especially the original 1954 classic, this American remake is a disappointment. So disappointing in fact that the titular Titan of a lizard has been officially renamed "Zilla" by the original creators of the Godzilla franchise. I for one enjoyed this purely as a modern monster movie. It entertains, it has cool special effects, and it is good fun. Nothing much else though.
*****************************Review End***************************


Entertainment: A-
Story: C-
Acting: B+
Characters: B-
Music: C
Replay value: B-
"Brains": C-

Thursday, May 22, 2014

Godzilla (2014) remake review


Overall verdict: 8.5/10

The Good: Returns to darker roots, immaculate special effects, intense build up to finale, nostalgic Akira Ifukube inspired score, powerful new Godzilla design, combines the best elements of all the past movies, Bryan Cranston.

The Bad: Aaron Tylor Johnson, lack of chemistry between 2 main leads.

3D Readiness: Post filming 3D conversion.
IMax-ability: Wide angle shots lends itself well to imax viewing

******************************Review*****************************
A king had once reigned supreme. But in 2004, Godzilla the king of monsters hung up his crown after a disappointing Final War. But soon, giant monsters started returning to screen; 2005's KING KONG, 2006 korean movie THE HOST, 2008's CLOVERFIELD, all vying for the title of king. Now 2013 comes up with PACIFIC RIM But No king is going to let a kaiju army reign supreme! So up from the depths steps GODZILLA to show these usurpers how a monster movie is really done.

In shaping Godzillas future, the creative team look back on the big G's past, digging deep into the earlier, darker themed Showa era godzilla movies and combining the best elements of 60 years worth of sequels. Like the first 1954 original, the monsters' appearance is teased and glimpsed through the human focused tale. This is slow build up and reveal calls back to classic monster movies like JAWS, ALIEN, and the original GODZILLA. Yet director Gareth Edwards successfully builds the tension right up to the big payoff clash of titanic proportions.

With No oxygen destroyer, masers, mutant soldiers or  other wonky scifi stuff from the Japanese movies, this new godzilla movie is grounded firmly in contemporary reality. GODZILLA 2014 opens with a discovery of an ancient monster fossil in a cavern in the Philippines. But something awoke from centuries of stasis, making a beeline for Japan's janjira nuclear plant, destroying it and killing a number of employees including Ford Brody's mother. Fast forward years later, Ford is a explosive disposal expert who has a family of his own. He is reunited with his estranged father Joe who believes a conspiracy is in the works over the janjira incident. Eventually, they uncover not just a conspiracy, but two ancient creatures of destruction hell bent on replacing humanity as the earth's dominant species. Their only hope lies in an equally ancient apex predator, GODZILLA.

Godzilla's design raised mixed reactions from viewers, but when seen in full motion, this bigger, meaner but definitely not leaner Godzilla is amazing! The design just screams "power" and makes sense for a creature of that size; thick skeletal structure, low centre of gravity, tough meaty exterior and smooth streamlined shape makes it believable that this creature can survive the ocean pressure near the earth's core, swim from Hawaii to San Francisco in a matter of hours yet support it's weight out of water. In motion, this is not the awkward lumbering japanese rubber beast, but a menacing massive yet graceful Titan with an intelligent spark in his eyes. This wearied, bulkier looking Godzilla feels like an old champion wrestler forced back into the ring to reclaim his title.

Perhaps this was what the creators were going for. The feel of an apex predator who, aside from some pesky atomic bombs giving him a mild sun burn once in a while, has not had a decent giant monster challenge in eons. Godzilla is aching for fight and when a couple of mating obsessed MUTOs wander through his turf........let's just say nobody lays eggs in the King's back yard. Director Gareth Edwards eschews frantic close ups for wide angle, full view cinematography, allowing every monster appearance on screen to be seen in its full glory. Special effects by "moving pictures company" and "amalgamated dynamics" bring the king of monsters to life, rivaling that of the more renown ILM or Weta.

As mentioned, this new movie just oozes with the best elements of 60 years of GODZILLA movies without any of the goofiness. The two enemy monster MUTOs resemble Orga and Megaguirus, two kaiju created in the millennium era godzilla movies, in their fighting style and design. This bigger, bulkier godzilla takes design cues from the Heisei era and Godzilla: Giant monsters All Out Attack, while his almost human-like intelligence recalls the "heroic" Showa Godzilla movies. Even Godzilas nuclear breath is a burning blue stream of irradiated particles like the Showa ear, rather than the dragonball Z styled giant laser beam of more recent godzilla shows.

But enough about Godzilla. How do the mandatory human characters fare? Well Bryan Cranston as Joe Brody is magnificent. He brings gravitas to his character and a heart wrenching emotional touch. Sadly, he is under utilized as the script focuses on Ford Brody. Aaron Taylor Johnson's performance is a little disappointing considering his character is a soldier. He mumbles his way through the movie in a wimpy little voice, sharing only a passing chemistry with his wife, played by Elizabeth Olsen.

Fans of all action monster mash ups like GODZILLA FINAL WAR or DESTROY ALL MONSTERS would no doubt find the slow burn build up boring. But fans of the 1954 classic and the more serious Showa era movies would have much to cheer about. With a nostalgic score by Alexander Desplat clearly inspired by the late great Akira Ifukube, GODZILLA serves as a harrowing metaphor of nature's supremacy over mankind. Where the 1954 classic was an analogy for the atomic bomb, 2014's movie brings to mind the tsunamis and nuclear plant meltdowns that shocked the world. A clever, emotionally engaging and powerful tribute to 60 years of Godzilla.

*****************************Review End***************************

Entertainment: A
Story: A
Acting: B+
Characters: A-
Music: A-
Replay value: A
"Brains": B-

Wednesday, May 7, 2014

Son Of Batman (2014) direct-to-video animated movie review


Overall verdict: 6.5/10

The Good: Stunning detailed artwork and character designs, dynamic fight sequences, timely comedy without going overboard, 

The Bad: lack of cast chemistry, cheesy over-acted dialogue from villains, disappointing music, some lazy animation shortcuts,

3D Readiness: none
IMax-ability: none

*****Review*****
DC's shared direct-to-video animated universe enters its second chapter with SON OF BATMAN. Taking inspiration from Grant Morrison's Batman and Son comic story arc, SON OF BATMAN reveals the illegitimate love child of Bruce Wayne and former nemesis Talia, daughter of Ra's Al Ghul, leader of the league of assassins. When the league , is betrayed by its deadliest member,  Deathstroke, Talia sends her son Damien to his father in Gotham city. But Batman has much on his hands, fighting crime and handling his company's falling profits, to take care of a 10 year old. A 10 year old who hacked into NORAD when he was 6, was trained in every art of combat, and who has no qualms about bloodshed.

These clashing values and personalities should have made an intriguing study of this father father/son relationship.  Here is a man who is suddenly saddled with the responsibilities of fatherhood, of balancing is double life of swinging billionaire/crime fighter with a new life of a parent which he never had.  The comics delved into Bruce's lingering insecurities of a man who had his childhood taken from him on tragic night. How is he, who's own younger days were filled with grief and hatred, able to deprogram me this vengeful, angry kid that is his son?

SON OF BATMAN (the film) fails to offer any glimpse into the head of Bruce Wayne. Character study is overshadowed by wanting to move the whole ninja/assassin hostile takeover story forward. As such, we get the character development taking a backseat to the action. We do get some nice chemistry in the few scenes between Damien and Alfred, as well as  budding rivalry with Nightwing. But between Batman and his son? Disappointingly flat.
Thankfully,  their voice actors do their best to bring out their characters' personalities. Jason O'Mara's Batman is a nice blend between Christian Bale, without being too raspy, and a young Michael Keaton. Those who prefer Kevin Conroy's deep Batman voice would no take some time to get used to this new portrayal. Stuart Allen as Damien is the star of this show, bringing a level of professionalism to the role despite his young age. On the other hand, our villains, Ra's Al Ghul and Deathstroke,  are horrible. Deathstroke especially sounds like acting in a bad school play. 
Visually, SON OF BATMAN boasts artwork very reminiscent of Avatar: The Last Airbender. Not surprising since the director Ethan Spulding directed a good number of Avatar episodes. Here, he truly revels in the new PG13 rating of this film, bringing the violence to whole new levels bordering on absurdity. Characters are literally roasted
 get their eyes gouged out
 impaled
 and blasted to bloody bits

The character designs maintain that japanese anime look consistent with the previous JUSTICE LEAGUE: WAR feature. Level of detail is strong with deep shadows, metallic sheen and creases. Just look at Batman's suit.
 TheAnswerStudio gives us generally smooth animation and character movements but the level of detail does tend to drop in such scenes. Another shortcoming is in crowd scenes such as the massive ninja battle that opens this movie. Animation short cuts are very obvious here.

All in all, SON OF BATMAN works better as a set up for bigger stories. Assuming BATMAN UNDER THE RED HOOD is still canon, and with Warner Premiere turning to DC's New 52 for animated adaptations, we could be seeing a whole slew of Bat-family titles on the horizon. An animated "Batman: The Court of Owls" would be epic and "Batman: Death of the Family" would serve as a powerful conclusion.  An adaptation of Grant Morrison's final Batman inc chapters would be an emotionally powerful epilogue bringing the entire Damien Wayne saga to a close.

One can only hope.
*********Review End********
Entertainment: A-
Story: B+
Characters: B+
Animation: B
Art: A-
Music: C-
Voice work: B+
Replay Value: A-
"Brains": C-